Two different pitchshifted signals could be produced, delayed and then spat through a pair of outputs. Delays were meant to be used as a doubling effect and topped out at 112.5ms. Incoming pitches could be transposed up or down a full octave, and pitchshift could even be controlled by the notes played on an attached voltage-based keyboard. Designed by Anthony Agnello, the 2U rack-mountable device combined digital delay with an astonishing (by 1974 standards) pitchshifting process. Wearing their love of music on their sleeves, they dubbed the unit the H910 (after The Beatles' One After 909). They teamed up with business attorney Orville Greene and began producing phasers and groundbreaking delays that drew upon Random Access Memory (RAM) but it would be their "Harmonizer" that rocketed this part-time avionics company to success. Whether it's called upon for delay, reverb, EQ or dynamics, an Eventide processor will do the job and do it very well indeed.Įventide Clock Works Inc was started back in 1971 by recording engineer Steven Katz and inventor Richard Factor. Even the 30-year-old H3000 still goes for a pretty penny on the secondhand market. This level of respect is not undeserved, as anyone who can afford their lofty mult-ieffects units can attest to. The name itself evokes a sense of awe and wonder among engineers and producers, as if it should be spoken in hushed, hallowed whispers. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.Eventide. When you purchase the H910 plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.Individually control delay outputs and dry/wet mix.Create colorful, unique sound effects and drones through self-oscillation.Delay rhythms and melodies to create everything from slap-back echoes to crystalizing feedback chaos.Modify pitch by musical intervals to harmonize vocals or solo instruments.Glitching of original hardware present to create unpredictable sounds as it alters pitch.Anti-Feedback modulates the pitch around unity for a subtle or wild effect.Control them manually, via MIDI or with Anti-Feedback. True analog modeling of highly nonlinear electronics for faithful reproduction of original juicyness and grit. The built-in envelope follower makes exploring these possibilities easy. Back in the day, engineers and producers discovered that sending a control voltage to the box to slightly (or massively) vary the pitch created new sonic vistas. NEW Envelope Follower - An envelope follower has also been implemented in this latest release.With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time. NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John.Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths, or add slap-back delays to vocals. Create unheard mechanical sounds, drone effects, or robot language using self-oscillation, delay, and anti-feedback. With its unique combinations of pitch shifting, modulation, and delay, the H910 has made its way onto countless ground-breaking work by artists from AC/DC to David Bowie to Frank Zappa.Ī powerful tool for creative producers and engineers alike, the H910 plug-in for AAX, VST and AU is a faithful recreation of the original hardware. The H910 Harmonizer® was the world’s first digital effects processor.
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